Day 9 and “This place is over!” My friend says. We’re eating steak Benedict. Of course. “All you need to make a film is this!” His phone. “You’re a good writer, write yourself something. Stallone did it.”
Maybe he has a point. But I’ve been lured by a myth. A myth recently enforced and perpetuated globally with Lalaland. But a genuine myth. And like all good myths, we want to believe it. Another friend in this town said “Yeah Emma Stone keeps saying in interviews how she relates to her character’s audition content in the movie. She’s never had to audition in her life. She just … walked into Superbad.” I don’t know the truth of that. Of course there’s buckets of bull in this town though. Anyone that has ever been interviewed in any capacity knows that in the spur of the moment, you feel you have to tell a story. I heard Florence from Florence and the Machine stalwartly resist any attempt to either be mythologised or do it to herself on a radio 4 interview once. Even if I appreciated what she was trying to do, it made for a woefully boring interview. She just seemed to be shutting down the interviewer. And I found myself getting pissed off with her. Wanting her to play along. Because we want that story. Le Carre speaks well in this article about the process by which interviews split us from the truth, to the extent that we might even start believing someone else’s story about us because it’s been published.
And I know I have a story. Of sorts. “Why are you here?” People ask. I give a little potted life history, touching on some of the big negatives, ending with a positive. Because, despite my attitude to it, I’m involving myself in the game just by being here. Maybe I should write my equivalent of Rocky. Everyone in this town has a screenplay they’re trying to sell. Go big or go home, they say, no?
Today I only left the house for yoga and lunch. I applied for a bunch of stuff and sent my bullshit package to a few people. Mostly it was just me and three damaged dogs. One of them is lying at the end of my bed as I sit writing on it. The most damaged one. He and I are firm friends now. He hobbles after me when I walk around the house and sits at the foot of my bed like a loyal retainer. Marley, appropriately enough considering I played Scrooge recently. Here he is:

I’m glad I’m away from my context for a bit. I’m glad I can’t do my usual scrabbling around for money while I wonder if there’s an audition round the corner. I’ll be broke when I get back to the UK. But I like that I’m a blank slate, and that nothing can happen but what I make happen, and that I don’t have the money to buy happenings. Buying happenings is big business here. “Do an improv course!” 500 bucks. “Take a casting workshop.” 200 bucks. If nothing comes of nothing I’ll still have rejigged my bad habits, done loads of yoga, stayed sober and written the equivalent of a novella with my minimum 500 words daily. And if I’m ever interviewed about this time I’ll tell a moving story of how I had to eat dog food in the morning before washing some clothes I found in the gutter and hitchhiking to the studios with a murderer for the meeting that gave me the limited niche recognisability that has caused the interview in the first place.









Day 1 and I am up before dawn. The Airbnb is lovely but full of sleeping strangers and considering I rolled in late last night and went straight to bed I’m aware they might be a little uncomfortable with me wandering around switching all the lights on. The patio is full of horny cats rolling around in the predawn, and as I close the door behind me and incompetently jiggle my keys in a terrible attempt to lock the door, the neighbours’ rooster wakes, guilty, and starts crowing. I stand to admire the palm trees and traces of red in the sky, and then open the big security gate that leads to the street. The cats make a break for it but I block them with my feet. I don’t know the rules here. As I close it behind me another man exits the house, precipitated by my incompetent attempts to lock his door. He introduces himself as Artur, and comes through the gate also blocking the cats. With all these cats it’s a miracle there’s a rooster. I tell Artur I don’t have a car but I’m going for a walk. He asks me if I’m mad. I tell him I hope not, and he offers me a lift. “Don’t walk around here.” He is going into work in his uber. He drives me to a starbucks on Jefferson and tells me it’s safer round here. He then gives me his number and insists that I call him if I am in danger. He repeatedly tells me to trust nobody. I trust him. It’s still dark, but Starbucks is open so I buy him a coffee and one for myself. I order myself a flat white as they have one on the menu, which is progress from the last time I was here. It’s a latte, but at least they’re trying. Artur makes sure I know that the emergency number is 911, and clarifies that he is best friends with all the local police because his family sorts out their life insurance. The last guy I met called Artur gave me a lift from France to London and left me standing by his van at Calais with a massive wrench in case “someone tries to sneak under the van”. Is there genuine danger, or are people called Artur lovely yet paranoid? Either way he leaves me on the street clutching a flat latte and feeling I might need to look over my shoulder. I shrug it off and go for a walk as the dawn cracks around me. Big shops, big stone churches, lots and lots and lots of cars, big trees, things built for show. I think I’m going to need to rent a car. Uber will break me and the buses are pretty bad here. I find a metro station. Artur has told me that nobody knows how to use the metro. An opportunity to be a pioneer? Sadly it doesn’t go in the direction I need to go, which is back to the cats, through this dangerzone of Artur’s. So I walk, following Google Maps, and there is nobody else walking. I walk through discarded clothes and ripped off bags, auto parts lying neglected on pavements, human turds, shopping trolleys. After an hour I come upon a small building with stained glass. Outside it sits a gigantic man with a gun. People are going in. On impulse, I go in too. To St. Matthew’s Evangelical Baptist Church. I stand at the back but it is obvious that I am new. I’m the only white face, and they worship together daily. I am gently asked to introduce myself. They make me feel welcome and the pastor preaches a gospel of hope and transformation. His context is that of children dead or in prison, and the shackles of deep poverty. I find the message very pertinent, full of hope, and a call to arms. “Too many of us mistake our stopping place for our staying place.” After the service, he runs to catch me in the street as I walk away. He thanks me, and warns me “This is a bad area. You should be careful here.” I walk back to the digs and open the fence. This time the cats don’t seem so keen to go out onto the street. Or is that my imagination?