The sun is going down as I stand at the entrance to Palace Pier waiting for Lou. She’s having a treatment. I’m just arrived from London.
I’m glad it’s not quite so hot. This morning I put a suit on and then jumped on a Lime Bike. Low budget filming so they ain’t sending a driver. I arrived at a lovely wee flat in Holborn. It’s a new learn but only a short film. Someone couldn’t do it and the old game of being “LAST MINUTE ACTOR GUY” seems to be coming back into my life after a brief period of absence. I enjoy the discipline of it, the rigour of the cramming, the human bit of integrating with a group of strangers who have been working together a while, the craft bit of reading quickly how the others need or like to work so I can click in with them quickly. Some actors really want the cue the same every time or they can’t hold their thought. Others need a shifting flow. Others are just focused on their own noise and you can do anything to balance it.
I think it was a good shoot. These things can be disproportionate. You can spend one day doing something, forget everything about it, and much later suddenly start to have people remind you of it for years. There’s a great bit in Stephen Fry’s autobiography where he talks about someone shouting “Flanders pigeon murderer” at him and panicking because it was a moment of his life, but there are some people who have watched that Blackadder episode hundreds of times.
I’m happy its done now though. Suddenly rather than having multiple projects in my head, I’m under much less pressure. Awaken, the Meisner show, is still bubbling. Halloween walkies is under planning. Some interesting auditions in the can and waiting for the YES. But there’s time.
So here I am in Brighton, waiting for Lou, looking forward to a few calm days where I don’t need to remember lines or plumb up nasty emotions from nowhere or stand on a mark. I WILL have to carry around a load of stuff and drive loads but that’s to be expected really.






