It must be twenty years since I went to The Hen and Chickens. A little pub theatre at Highbury and Islington, right opposite the tube, Victoria Line among others. Easier than many pub theatres to get people to come and see the show. But the thing with pub theatres is it is very hit and miss. People put on plays for all sorts of reasons. God I’ve seen some bollocks over the years in these spaces. Back in the day I was IN plenty of bollocks. But I’ve also seen some of the best, most honest, most felt, most intimate and truthful bits of live story in these places. And I’ve been in some of those too, or so I believe.
It’s a play with five women. Thankfully I know some of these women. They are just brilliant.
Hanna the director has been a part of my life now for decades, sometimes overlapping more, sometimes less, always present. I remember her parents, got on very well with her brother for a while, went out with her best friend… She introduced me to Sarah, the writer, who also acts in it. Sarah is 27ish but somehow we understand one another. Similar neurodivergencies. I am trying to work out how to help boost her at this early stage in her career for the simple reason that to my ear she’s brilliant. Her writing is deft, witty but full of heart – a light touch into deep topics, and she has got to where she can be in it and be direct and grounded and clean in her delivery, which a lot of people still can’t do at my age. She’s written this play, Our Mother’s Daughters, a self aware piece of human life looking at things from the perspectives of five very different young women. It flies along under Hanna’s direction, and every one of the actors shines out when the play needs them to. I’m more than twice the age of the characters and male, and there was still plenty for me to empathise with, care about, laugh about, feel about. I can’t help but trust that Sarah has got a brilliant career ahead of her, but the shit bit about being first generation in the industry is that the only people you have to give you a leg up are the friends you make. And I know from too many very dear friends that, for all my complaints about how hard it is for little old me, this middle class white dude with a flat, it is still still still much much much harder for women. Despite 50/50, despite Me Too.
In The Hen and Chickens last night we all saw a brilliantly staged brilliantly written play about friendship and being a woman. A reviewer put it better than I could.
There are further opportunities to see it. It’s at the Hen until the 30th, then it comes back to Playhouse East in mid June. Ticket link here.
Actors can’t really help actors. But I can send them audience which butters the toast, and I can try to introduce them to people who have been in the struggle longer than them, one of whom might have an insight for them. Many of the best moments of my career have arrived through recommendation. It’s a lovely thing we can do for one another. Go see this play.

