Even for a couple of days suddenly it is lovely to be back in what feels like a traditional rehearsal room. The writer and director present. A director! My lord the luxury of it! And we are doing table work on a new script. Examining the shape of it, digging into the purpose of the interactions, the rhythms. Haven’t had a director on the last job, and the last time I did some new writing I remember saying on day one: “I expect L will be looking at that bit before we hit performance,” to get “oh no, she’s already signed off on it now.”
I was actually a little nervous this morning. Messaged Lou going in. Just two days, but essentially a room full of strangers.
I mean … I met the director once some twenty years ago, at The Arcola. Can’t even remember why. I just remember who I was with at the time, and that it was my birthday and we got absolutely cunted and ended up underground at some kebab shop in Dalston with some geezer who was running an illicit dive bar. Obviously that’s not why I was there today.
The producer got me in at short notice on recommendation after they lost someone. They needed someone a bit like me so I can see why I passed muster. I showed up in a jacket with a Rolex and Gucci shoes just to help tease them towards the idea I’m good casting for this part. Because … this is just an R&D at this stage. A little bit of money changing hands but mostly just the opportunity to do our creative thing. But if we can make ourselves fit the part hopefully we can gain traction. Work breeds work etc… And fucking hell I’ve been doing this long enough that I really really wish it was easier to get in the room. But twas ever thus and I’m not by any means the only person wishing it.
For today and tomorrow I’m in the room. I can do the thing. And it is enervating and fun. One woman close to my age and carrying her long CV behind her, whatever that might be. I get the feeling she’s *done* things. Me. A young woman who is surely much better than I ever was at that age, and a sparky young Russian actor. It’s a four hander about many things – people and football and supermarkets and… Well, we are finding that out. It’s a lovely piece of writing. And it’s a powerful thing at this stage to examine it in the way we are. The director really knows this process. He’s so good at it, we can just lean into our craft and hit the ride.
Happy me. And tomorrow we don’t even start at 9 which was my only gripe as my first alarm went off at 5 this morning and I went to bed at ten last night. I won’t be much later to bed tonight frankly, but 6 feels much more like morning, and I can maybe even push it to half past considering I won’t need to shave again and I’m not due in Woolwich until 10. Plus there’s a car park there for a tenner the whole day, which makes it entirely commutable and infinitely preferable to fucking with the tube, Elizabeth line or no.
