I went to the theatre tonight. A beautiful little theatre. Richmond Theatre. It opened in 1899 with a production of As You Like It – the play that will be my next job. It’s a beautiful play about many things including the hubris of mankind to think we are greater or separate from nature.
Frank Matcham the architect is remembered by plaque outside. He was a great theatrical architect. His design allows 840 audience members to sit in their seats and hear a play. He understood acoustics and catered brilliantly.
Richmond Theatre is a proscenium arch theatre, the chocolate box style that Charles II brought back with him from France. It’s a bit more framed than the theatres we were used to in this country when he restored the theatre, but it makes it less work for the actors – there’s a fourth wall and you know to address your eyes and voice out over the audience.
Tonight we saw a well put together play, tightly acted and charmingly written. Hanging off the proscenium arch on either side were big black speakers.
Every actor that spoke was miked with a little earpiece mic. Their sound was sent through the speakers and out through the beautifully designed auditorium in a homogeneous wash. Largely you could work out who was speaking when, but it was very easy to stop caring.
I care about voice very much. It was incontrovertibly the golden age of Guildhall voice training when I was there, and Michael McCallion, taken way too young, was the guy who helped with my audition speeches. Jeannette Nelson, Kate Godfrey, Annemette Verspeak, Patsy fucking Rodenberg. Heavyweights of theatre voice every one. Every actor in that theatre tonight could have been heard without the mics, could have sustained a run. Maybe they would have worked a bit harder for it. Maybe they would have risked vocal tiredness, vocal damage. Maybe they would have needed to get in early to warm up. They would have. And we would have had human directional voices.
Technology is eating our humanity at an alarming rate. I thought we might still have theatre. But even at the RST they had shotgun mics around the edges of the stage to subtly amp people.
What the fuck is going on? What the hell do they think we trained for? Is this so the instagrammers can start playing the parts without going hoarse after one week. Apparently “the theatres insist on it”. What, because some deaf old git moans about the fact they couldn’t hear the tellybox star? Fine. Send on the cover.
I didn’t hate this evening, but it put a bigger barrier up than any fourth wall. The only expression was the movement. This isn’t musical theatre, I get it if there are songs every night, that’s gonna be fucking exhausting. This was a play though. A play. A theatre play with talking. Come ON people. Hundreds of years of technique reduced to some guy in a box with knobs.
Urrrgh.

