It is much quicker to get to Smithfield Market from mine if you go by an ebike rental than any other means. It’s summer, the first of August, high summer, the month named after the emperor who was in charge when Jesus popped up. He was another Libra/Virgo cusp. Like him, this is my favourite month.
“Everything dries up in August,” is received information.
Back when it was in person auditions, I would finally start to get seen for things in August because they needed a me type and the ones with the major agents were all up at Edinburgh so they couldn’t go to Soho and do something humiliating for the possibility of money. Now it’s self tapes, so I guess the same old same old is more possible. But I’m still hopeful. It has always been a lucky month, August. I tried to ignore the poster for Cumbers and Coleman once again reinforcing the idea that there are only about twelve actors. I’m here, there are jobs, something is going to give. Yes it’s the same the same the same forever forever forever. But we hope.
I have finally auditioned for a theatre that you’ve heard of. For over twenty years, and now having worked at the RSC, I have never auditioned for a theatre you have heard of. Last month I did. I’ve got a recall too, yay. Hopefully there’ll be some work at the end of it. Thank fuck. This industry is cruel, casual and arbitrary. I graduated in 2002. I’ve worked loads and with excellent practitioners. Something’s rotten in the state of Denmark. But …! A good theatre up north put me on the list for an actual audition. Normally it’s a straight offer or nothing. Maybe I’ll be able to go through a process and fit into a company and do the thing I am here for. That’s what I dreamed when I left Guildhall, but the auditions never ever came. Let’s see how this first one goes, twenty years too late. I’m used to disappointment as there’s been plenty of film stuff which is tricky. That was my first job, a film. Is the industry really that short sighted that film people can’t audition for theatre? I can report back with confidence: “YES.”
I went to Smithfield to hang out with James. James and I did theatre back in the day, for people you’ve never heard of. I turned down a ridiculously lucrative corporate training opportunity “you’ll never get this again” because of press night for a show where I was paid virtually nothing, up in Surbiton. Sliding doors, but I knew I wanted the performer life, I needed it. James was in that show. Now he does a proper job but he was there at the nexus even if he didn’t know about it. I turned down guaranteed big bucks for … for this and I’m still struggling.
Today we ate at St John’s though and I’m happy to be part of £200 for lunch as I’ve got so very good at dayjobberising. We had a whole crab and loads of good stuff and a bottle of wine. I am not broke at the moment but fuck, I feel the lack of that training job I turned down. Life, eh?
This evening I went to the press night of something that is part of the problem. This is the sort of thing I was swept up into, where people eat your heart and your work. Loads of wonderful clever and skillful actors who are probably on an hourly rate because it is technically facilitation, and their undeniable skill is being vampirised by production. It was incredibly well produced, for sure. It was glorious. The fault was in the execution, the creative side. Whoever is marshalling these underpaid workers hasn’t quite got their finger on what makes things interesting for actual real people. Ok, I asked lots of workers what their hourly was. The carnival people are on less than I thought anyone worked for these days. The bar aren’t on much more. It’s barely a living wage. I cannot cannot respect anyone, particularly in something trying to pretend to be theatre, when they don’t pay their workers properly, particularly when the ticket price is tiered. You get a special wristband if you pay more. That means the actors do more with you if you’re rich. No amount of enthusiasm will get you as an audience over that border it’s posh wristband or it’s steerage. That’s capitalism embedded in an industry that has always been free of hierarchy and has to be to work. It makes me sick to my stomach. And suddenly I see why this thing they still weirdly call “immersive” instead of “tiered” has appealed to all the various narcissists I’ve known over the years. It’s a new form of hierarchy: lords and serfs. It’s a fucked model and it came out of goodwill.
Burn it.
And I’m off to bed.