8pm and I’m trying to trick my brain to bed. All the bed things, the bath. Even clean sheets. The sphinxes are in place.

White and black. Room for me in the middle.
Clean sheets, even. I should go to sleep pretty easily. Tomorrow it is back on an old work train.
The National Grid, with a new STEM outreach campaign. I’m well placed to deliver this content. The majority of my best friends from childhood are engineers of one kind or another now. I’m an actor. In theatre it is an advantage to have a good view of the technical side of the art. I can stay out of the way of stage management. I know how things work well enough not to be a douche. Put things back, take care of the details, hang your costume nicely at the end of the day etc. In film obviously it’s largely a technical medium. Even just getting how you will have to contort your body to get round the camera so that specific shot will work – knowing how to place your eyeline, how to make a natural move that gets you into frame when it matters… technical stuff. It’s about lots more than “doing that feeling”, folks, despite what you’ve been told by people who want to mystify themselves or their stars. It’s a craft. And largely with music and lighting they will “do the feeling” despite you.
Some computer game journo wrote an article about why a big studio boss went with the “in every game” actor despite initially not wanting to. “They did an emotional thing in their tape that none of the others did.” AKA they pulled a trick and you fell for it. Most of the actors that taped would have been capable of pulling the same trick on demand. Taste or lack of confidence in the games medium might have caused them not to do it. When you make a pitch for work and send a tape it’s often tempting to make it broad, as … we can all do the job. It’s only in the last year I’ve started to think how it actually might help to make pitches more specific. I hate closing options, but when there’s no time for rehearsal as with most tv and film just… learn the stuff and spam out a specific clear offer. “They showed an emotion in their tape that none of the other actors did.” AKA “They did a cry when it wasn’t needed and none of the other actors did that so they are the only cryactorperson we’ve ever met.” But that’s the games medium. Lots of the makers are what they call “spicy” these days. They, as an industry, realised pretty quickly that they shouldn’t star in their own videos. Some great game makers can probably be astonished by people who have actual human emotions.
But yeah so I’m already back on the dayjob wagon and shameless about it. We have to live and we have to do things that bring us into contact with not-us, so we get better and better. And then we have to fight the powah. Only a few agents that get the bulk of the jobs, not with one of them? Find a way. I love my agent, wouldn’t shift right now. Maybe when she retires, but certainly never before. She’s a goodie, gets me, I just wish I’d met her a decade before.


