Month: December 2024

Two days of it. I don’t actually have much more than that in the bank when it comes to being shiftless. I’ve been long in the hustle.

Aye I sent some invoices today. The Santa lot, and the audiobook. I like the Santa guys but I’ve been on their official books for years now unused. They know me through historic festival work, but the people on the ground, the elves, were a bit unsure of me with my big beard and my confidence. One of the elves got really worried about “safeguarding” when a great big traveller family descended on Santa, and talking to her after it was because I had told her it was my first time as Santa. ‘FIRST TIME WITH THIS PARTICULAR COMPANY YOU TWIT”. I told her repeatedly that it was fine – if someone tries to sit on my lap, I’ll stand up. I will be waving in the photos so you can see my hands. I know what people are like and this isn’t my first rodeo. I know how to make the best of it even if I’m visible throughout my shift so can’t adjust costume or fix slipping beard. And my beard did slip, I sweated through the adhesive on the tape. Nevertheless that’s down to the programmers. They’ve made a Santa thing where he’s constantly visible, and the kit is pretty rudimentary. I know my job so I made it work. You have to show up. Every journo wants a bad Santa story at this time of year. Some poor sod got stitched up in Hampshire, my friend sent me the article this morning. The thrust of it was “Santa isn’t real, children and parents shocked” but it was in The Guardian. Poor fucker. Although it sounds like he was going through the motions. You’ll never catch me doing that, no matter the circumstances. If I’ve taken the job, I’ll do the job and 100% will be my base rate.

To the extent that it took me about two full days to recover. I only started to feel normal at about 3pm today, and my sleeps had been long. Sure the first night I didn’t switch my head off until the early hours, it’s costly all this character interaction with real people, particularly if you care about it. This is why I’m cagey about some of the low paid immersive shift work going on out there with immersive theatre adjacent people. They pay actors to facilitate their experiences, and they have genuine skilled performers doing it, but they give an hourly rate and it is often no reflection at all on the work and the skillset. Pay peanuts get monkeys they say, but I know plenty of actors who are busting for the work, and their hope might lead them into doing these jobs. You sometimes form a fruitful community within them, but largely these immersive “experience” jobs are gonna eat your life and give nothing back. Months and months on these shows, often then drinking in the show bar after, often with no more than a ten percent discount on the marked up drinks, sending every penny back to where it started.

Right now there’s “You Me Bum Bum Train” and they have a load of performers volunteering every night on the basis that it is a celebrated job and totally sold out : “you might meet famous people”. You’ll meet “famous people” as a service industry volunteer for crying out loud. They aren’t going to say “WELL HEY I’VE BEEN LOOKING FOR JUST THAT FACE.” That’s a myth anyway, maybe a thing from very very early industry times but never not exploitative and nowadays the opportunities are constricted to a small circle with very little going out “to market”. Sure it’s interesting to see what someone is like when you admire their work. But what’s the interaction anyway? An old friend of mine is suddenly current. In the pub, people come and ask him if he’s him. “Yes I am,” he tells them and they then say he’s a really good actor. He thanks them. And that’s it. Often the people who seek the interaction are in the industry. The eternal hope of getting a job. It’s the Weinsteins and the Spaceys that have encouraged this space though and this idea that those who have already been on the pedestal are somehow more special: “Oh you like my stuff do you? Perhaps we should talk more in private.”

I’ve got distracted as I’ve gone from saying “skilled people shouldn’t be bamboozled into working for cheap” and shifted into “just because you’ve had exposure doesn’t mean you’re different”. I guess the film industry has to survive on the idea of merit. It takes time and work to build a practitioner up in the public eye, so they are automatically thought of as “good quality” and lauded even when turning in mediocre work. But once the ground work on reputation has been done, then the person starts to be box office, as we all like to be told what’s good. And sure, I would love to be box office, as then I get to consider interesting projects more frequently, and I get to do what I set out to do more.

Which reminds me, I was sent a script the other day from a film maker I’ve collaborated with a few times. I’m gonna finish reading the first draft so I can talk with her about it. Things are still in the pipeline. Always.

I have no idea what the weather was like today. It’s almost midnight, and I’ve been in my pajamas all day. I’m in bed again now, with the blanket on, Boo in her customary station to the left of my head. She likes to sleep on my hand. I’m sure I should have generated invoices and done world things, but frankly I wanted a day of absolutely nothing, and I’m one of the lucky ones that can do that. Boo is not really a responsibility, she’s largely just a playmate. She is fine so long as she can feel like she’s part of something.

I’ve been reading Dan Abnett again. I signed up for a mail order 2000AD thing, thinking it would only be about fifty volumes, but I think they are pushing for 200 of the damned things. I haven’t anywhere to put them, I’ve read pretty much all of them, if they are still wrapped in plastic I know I haven’t read them yet. Dan Abnett is a writer who started around the same time I stopped reading the comic. Every time I find his things I love them – Feral and Foe has been a great read. Edgeworld was the one I took to Stratford. I think he scripted the much lauded Alien Isolation game. I tried it on my steam deck but honestly didn’t have the patience to stealth the androids. But, yeah – it’s been a consumption day, a geek day. I’ve also made a start into my lovely new four part Joseph Campbell The Masks of God set in the original edit. His attempt at a definitive overview of the intertwined myths by which we have understood the world, in purest form. It’s annoying that his prose is quite flat. For someone so curious about the interplay of story to society, he has forgotten that grammar is a made up thing and if we are too obedient a little part of our writing dies.

My first Christmas movie every year varies, but I’ll always end up watching one around this time of year. Die Hard often wins, but this year it was Michael Cane and the muppets, with a telling of Christmas Carol that feels eerily close to the first script we had for it up in Manchester. It’s lovely not working this season, especially now the Santa thing is done. I might end up with some pickups, but largely I think this is me until January, signing off from having to do work. I don’t like it, but it has always been coming. Lou would remind me that I can do DIY in my flat and indeed I really have to as she will be living here in my bachelor pad from the 13th. I’m really happy about it, and absolutely freaking out at the same time. It’ll be the longest we’ve stayed together, but she’ll be here in this friendly but weird home where everything is all over the place.

I think sleep is the next move. I haven’t switched on my Steam Deck since I’ve got back from Stratford – Red Dead must be feeling neglected. I’ve got these graphic novels to catch up on, and they are often so good. Maybe a shot of whisky. I’m beginning to feel like I can sleep even despite being the definition of idle all day.

Another day as an all powerful ancient Christmas being. I suspect it’ll be the last day this year as I’m trying to be a little less full of “yes” for such things. It’s the company you keep, etc. Gotta keep stepping up stepping up. I might be better served doing the things I’ve needed to do for ages such as sprucing up my online presence. I expect a prospective employer googling me will mostly fall across this blog and some info about my jobs which has got to be half a decade out of date now. A day in the “office” might be just the ticket to help bump me into more of the interesting stuff. It’s out there.

Not that Santa isn’t interesting. It’s a whole lot of interaction with people. I’m pretty ok with people on the whole. A couple of times I got mobbed. Most of the time the wonder of the Santa persona kept things pretty organised for me. It’s good to know that, this time of year, I can always get paid to do a thing. If it was something I wanted to prioritise, I’d start to build my own costume. The beard I had was great, but the huge amount of synthetic fabric meant my skin had nowhere at all to breathe. Just a two hour slot at a time and I was soaked at the end of a shift. The beard tape on my face soaked off and there was a little gap at the top where you could see my dark tache. When you’re peddling wonder to people, you don’t need to be showing the cracks. Nobody pays to see Santa here, but that doesn’t mean it should be a cheap interaction. Better costume would certainly be a priority if it was gonna be something to lean into.

It’s exhausting though. I got home and Brian had purchased a Christmas tree as well as all sorts of lights and wonders to scatter around the flat. Really glorious to start to make things Christmassy here and I’m very much feeling that I need to sort out some of the clutter so we can feel a bit less constricted by piles of crap. Brian is being very patient, but if I were him I know I’d be happy to stay seeing things reduced.

I’m winding down. I ran a bath and we watched The Muppet Christmas Carol and now I want to see if I can sleep calm and long. Lots of early starts in a row and that weekend took it out of me. I’ll have my weekend on a Monday.

It’s hard work, being a trope.

I’ve never done it like that before. I went to “Santa School” one time with The Ministry of Fun. That was maybe a decade ago, just before Christmas Carol kicked off. I was desperate at the time, but it didn’t gel. But today, it’s wasn’t the safety of a grotto. I didn’t have time to turn around and adjust my beard between punters. A steady stream of children, and for the first session, my beard was in my mouth. I had my manager occasionally showing up and pointing at my top lip but there was no hiding in that first two hours. It was fine but I wasn’t perfect. I started to really think about the responsibility on this particular job.

So yeah, two hours on, one hour off, two hours on. The first two hours went by in a haze. “Have you been good?” The parents and the children all definitely want to persuade Santa how good they’ve been. The horror comes from seeing the belief. As Father Christmas, I am an ancient thing. I care about how good you’ve been, but who makes the frame for good and bad? Maybe it’s Santa. Perhaps that’s why Santa has to ask, and weigh every answer in the balance. Is Santa Anubis? We all love dogs…

The second two hours I had a handle on it physically. Beard tape meant I could talk without it slipping. I assumed I would have a moment between people to recharge, but the momentum in the pudding is relentless. There’s no time. I choked on fluff at one point, right at the start. I almost choked to death suppressing a cough from a tiny blonde girl. All I wanted to do was hack my guts out to get that bit of fluff shifted. She just wanted the perfect Father Christmas. She got it even if I hustled her out pretty quickly and was almost sick thereafter.

Then I hit the groove. My newfound beard tape meant I wasn’t slipping, I could relax into this strange Christmas world of citizenship. By being out of society, Santa teaches society. Play the game and you will be rewarded, he says. What did he used to be? This is capitalist Christmas. I can talk to the parents. “I remember you, I haven’t seen you for many years.” That’s a great icebreaker for a shy child, to talk to the parent as the ancient infinite being. “What did I bring to you, that Christmas, when you were Milly’s age?” “um … a DVD?” Oh yes, a DVD. You loved it. Have you been good since? Milly has he been good? If you’re very good you might get another DVD… although I’m not sure they’re as good as they used to be… But I’m sure I’ll find something. Milly, would you like to make a Christmas wish?”

I asked a lot of children to make Christmas wishes. All I asked was that their wish was for someone other than themselves. Most of them managed. One or two of them just derailed the process – “Santa, I’m just going to say right now, I want a phone.”

It’s exhausting, vocally thrashing and energetically doubly so. I’m in my upper vocal register for hours, talking through a disguise. With the beard tape I can be much more free, and thankfully it it’s cold in the shopping mall. Every inch of fabric I’m wearing is synthetic. The only part of me that can breathe is a tiny bit of my face. After just two hours my whole body is water.

Still, this is well paid work. I ignored it when it first came in. I didn’t want to do it straight after Othello. Then just this weekend came up and they texted me, so I couldn’t ignore it. Still I ran it by Lou, as I didn’t want to do Santa right after RSC. She quite rightly pointed out how good the rate was, and that is doesn’t count as my last job, that can still be Othello. So I took the Christmas dollar. Ho Ho Ho. Just one more day. Good God I’m exhausted.

But this is my job today, and tomorrow. To wear one of the masks of god. Across the world right now, many of us are sharing this mask. In every instance we are perceived, we ARE the entity we pretend to be. And simultaneously we are just people in a mask. Because the Gods are splintered through us all now. So many of us, we all create an energy this season towards this benign but controlling entity. There’s chaos here. What if you haven’t been good?

This aspect of the God is tired. I’ll sleep now and tomorrow channel once more. Ho ho ho. The endless chimes and bells. Here now, the father of the Christmas, just reminding the children to think about people they love who aren’t them. Merry merry. Bedtime.

I had to leave the studio shortly before the end, but we got it done, this long dense book. Matt was an excellent engineer in the studio, really understanding of Sam’s needs. His playbacks were incredibly well judged to maximise the time we had, he was editing on the fly, super efficient, really quite remarkable to watch. It’s a big old complex of studios up in Queen’s Park. I have a feeling it won’t be the last time I go there. Might not even be the last time I work with Matt.

It’s been so dense though. The true meaning of death. The purpose of existence. Life and love and relationships and traumas and families and longing.

I left shortly after 2pm and drove to Uxbridge. I grabbed a load of programmes from an industrial printer just after 3pm on a Friday, and had the most incredible sense of deja vu. This is not the first time in this lifetime that I have gone to that printer and hauled emergency programmes to Oxford. I did it maybe even a decade ago. I did it again today. Picked up at 3, slogged through the rain to drop them in Oxford before the audience started to show for press night. I went in and saw the space and there was Amelia from Willows. She was an intern, now she’s swing in the Christmas show. No surprises – she’s a triple threat and a good human to boot. Nice to see her even briefly. We overlap with so many glorious humans in this game.

I couldn’t see the show. Santa tomorrow and I’ll have to drive through the end of the storm to get there, just ten minutes from the place I picked up the programmes, in Uxbridge. My first ever weekend in a grotto. I swore I’d avoid it but the money was undeniably good and I haven’t survived this long without the instict to suck up my pride from time to time in exchange for DOLLA.

But this means I need to go to bed, stat. By the sound of it this storm is going to level the place, so I’ll be driving through some degree of carnage no doubt, tomorrow morning, so long as my windows don’t explode.

Man mad climate change, eh? Let’s just keep doing nothing. It’s obviously made up. Capitalism ftw. Vote Putin.

Amazing that Romania have been bold enough to act on what he’s been doing for so long. I reckon there was might have been cyber stuff in the states, but it’s impossible for them to call it without WAR. The bear has always tried to win though story. And most people these days are foie gras geese for tempting patterns and lies.

I’m gonna sleep through this storm, me and the pusscat. Then tomorrow I’ll sleigh out into it and try and bring some fecking magic. Last thing in the world I feel like. No No No.

A lovely big space in Elephant and Castle for what will be the last Julius Caesar of the year. Playing these two shows I am absolutely compelled to say that we have much depth to plumb as yet. This thorny interpersonal shitshow of ambition and betrayal. The language is just extraordinary, the thoughts it evokes are so wide and so dense. This is a huge piece of writing, much bigger than the few of us who have come to play, and we have our rocks at the top but we also have really interesting bubbling young players at entry level and there are many small parts with associated obstructions and games for many players. This is a really fun project and a proving ground. Established players can get stuck into small parts or big parts and we can create a language that shifts from match to match but that can be followed through. Two nights in a week. Two very different squads. Two very different spaces. And we absolutely carried it both times.

This evening was harder. The dice fell on a very tricky space for act one, and there were multiple line drops at a time where it is crucial to build audience confidence. I started to worry we would lose track of it, despite an overly generous audience. We pulled together and we served each other and we won.

These Factory shows, they are a celebration of craft and an shared ritual in the NOW. They’re about what it means to be genuinely LIVE, and the complicity with the audience when the telling is shared. Stories are for community. We built the idea of society on stories. All we have of the ancients is their tales – the cuneiform carved into stone in Sumeria that gave us Gilgamesh… Just one tale among many but taking in the flood event, talking about mortality, pride, grief, sex, rage… Stories make sense of the vastness. There’s something in Caesar for everyone, and it comes out different every time, and I think and hope that, should we have access to the spaces, we can continue to play this tale and grow as we do it.

I’m home now, with a small cat lying next to me, tired and happy, ready for another day of random tomorrow. I let myself believe that I’d have time to stop but it’s all kicking off again and I wouldn’t have it any other way. I was on the phone to Lou earlier when I realised I had overstretched myself tomorrow, but I think I’ve made it work. ish.

Got to go to bed now though. I pulled out of the post show pub after just one pint despite a huge showing from the Othello company. I had driven in to force myself to stay sober. It’s a clever trick but I usually get pissed off with myself for it post show. I was cursing all the way to the car.

Made a quick prawn cocktail before bed. Easy eighties nom. Now just gonna collapse. Just have to remember to pack my iPad tomorrow as I’ll need it in the studio. zz

No show this evening so it was just another day in the studio. It’s exhausting for my friend who is reading. She wanted me to do it instead of her but they wanted her voice so I’m helping her out. I’ve a sneaking suspicion it’d be quicker if it was me, just as I’d have spent a few days prepping it cos it’s still my job. She trained as an actor but it’s not been her jig for decades and, the unglamorous truth is that the bulk of the work is done in your bedroom. The days on set, the shows under the lights? They’re the mushroom. The complex network of skills and hidden work and talks with other practitioners – that’s the mycelium. “It’s about the work,” as an old voice teacher would repeat. And it really is. She’d bring up the old analogy of the swan on water. It looks serene and still, but that’s only because the legs are going like crazy underwater.

There was some compromise on quality today. A couple of misreads that I wanted to go back on were nixxed by the studio engineer who knew how far behind we were. I expressed concern to him. “We’re compromising integrity in the name of expedience.” He shrugged. “That’s the way of it.” He’s not used to having a creative eye in the room anyway, so he picks up on differences in the text as written, but has no ear to even hear the nuance between two different readings of the same words. He is the reason why in a climactic moment in Witcher 2 someone tells you that the enemy army has been “routed” but pronounces it like they’ve been told where to go by someone. There’ll be a few clangers now, despite my efforts to prevent them, because we haven’t enough time.

We finished early and I went to see an old friend. I have bought a month of Lime Bike and I’m using it whenever possible. Today, that involved getting a bike in Queens Park to join the tow path at Ladbroke Grove. I went down the tow path all the way to Park Royal.

Fuck me, Lime bikes are still thankfully mostly lawless. Forest has started to force everyone to only stop in designated areas, thus making themselves into buses where you have to work. I can still stop my Lime outside my flat and pick it up from there if it is still there in the morning. The economy is good enough that the chances are it won’t be.

Down the tow path, in darkness, it felt like I was only a bad encounter with a puddle of sick or dead leaves away from a cold wet sudden wet shock. I was very happy to be one of the few people choosing that route, but was struck by how many Lime Bikes I passed next to the narrow boats. Right now these bikes make so much possible. Likely that’ll change, they’ll be forced to become less relevant. Currently they are the best way to move around this city. Your own bike will get stolen. These bikes are no longer your responsibility as soon as they’ve got you where you need to go. That’s so London. I’m happy to be part of it.

Dinner with an old school friend. His mother supported my ambition and welcomed me when my parents were loving me but still frantically trying to stop me from being an actor. It continues to be lovely to share progress with him.

Then home for an attempt at an early bed but largely thwarted as my head won’t shut up. Right now I’m letting Boo use me as a climbing frame while I find a way to ease into sleep. I do have a little bit of sleepy drink left but I never use it unless there’s early work so I’ll have to go to sleep on my own terms. The content of the book we’ve been recording is remarkable and exactly right for where I am right now. It’s about letting go of the confines we make for ourselves and accepting that we have chosen this existence on a deeper level than we can properly understand. It’s about how we best honour the decision we made when we went into this one. It’s some of the densest prose I’ve been exposed to since Rosamund Mckitterick. It’s either a load of old hooey or the perfect book for me to have found here as I cross into what might be merely the second half of my existence in this one, but only if I take care. Mum had scant five years left …

Fuck it. I just got home. It’s not midnight yet but close. I am SO HUNGRY. I have a week’s worth of HelloFresh in the fridge, but Brian is asleep in his room and Tom is asleep in the living room. I can’t very well cook and eat. So I’ve spent £25 on a Tops Pizza and I’ll have to eat it in my bedroom.

Today started with a cold Lime bike, still 40 minutes to get up to Queen’s Park where the studio is. We are recording an audiobook about egodeath. It’s fantastically dense. I’m not reading it, I’m directing. The reader is a friend of mine. She wanted not to do it, but she’s doing it. She’s right for it. She’s a good reader. But she hasn’t done the prep and no amount of chutzpah will carry you through such dense prose without fault if unprepared. If it was more fluent I might be coming in occasionally with interpretation notes, but largely today has been about getting through it. She’s got a cough. She doesn’t like the studio as it’s air conditioned. She’s brilliant thankfully.

Still there’s a lot to get through in a short space of time. She wanted to do it in two days but it is almost certainly gonna be a three day thing. Today was maybe the hardest for me as my ear hadn’t cleared at all. I’ve been half deaf for ages.

After the studio I rushed to Mornington Crescent and to Theatro Technis, where we do Scene and Heard. The Factory were doing Julius Caesar. Lots of the Othello company were there playing whatever they were playing. I was small parts, able to largely observe and marvel, and occasionally able to step up and do a thing.

As we were warming up there was an almighty POP and a good two thirds of my hearing came back. There’s still something not right, but I’ve got some hopi ear candles I ordered online. If my bedroom pizza hasn’t arrived by the time I’m finished this blog I’ll see if I lie for ten minutes while one of those things scientifically pulls the earwax out. They use controlled convection to soften and pull out the earwax, and despite the fact you might be pissed off with the fact they aren’t offered by trad doctors, they work. I have had past blocks cleared by them. I once asked a gay vicar I was living with in St Moritz if he had any, thinking they were well known things. He suggested I put a roll of paper in my ear and set fire to it. “Are you serious?” “It’ll be the same as these hopi ear candles you are asking for.” “Are you sure?” “Yeah, it’ll be just as effective.” He was being clever, the cunt. I rarely notice, so aged 22 I did as he suggested, trusting his wisdom. He meant “Neither of them will do anything,” cos despite being bold enough to be out gay Anglican, he had no truck with anything out of the ordinary. Maybe that’s why he’d ended up the English vicar of St Moritz. I pulled it out almost immediately, of course, that hot hot tube of paper that could have done my ear serious smoke damage. That was almost thirty years ago and he was at least twenty years older than me. One of the early lessons that age doesn’t always bring wisdom. Many people stick to limited tracks forever.

I’m still pretty easy to fool if the thing you are making up presents like genuine experience but actually comes from deep secret prejudice. I’m getting better at reading these unevolved people though and discounting them – there are plenty of signals. But I really really want to see the best in you all. I hate it when you let me down like Brent did there.

Bedtime soon but I need my cheese. My phone just went zizz so I think it’s close. Studio again tomorrow and hopefully we’ll speed up. The glossary today was hard going. I think it’ll be easier going forward. I hope. Matt the studio engineer is a master. We are finding a way to work together, the three of us. We all just want it to be a good product. I think it will be… My friend is great, the text is great, the studio is great, I’m great. What’s not to love?

#Postscript

It arrived late. I have moaned about it. Boo is very suspicious of bedroom pizza. I am as well but I’m gonna munch half of this, and then almost immediately have sleepydrink and find out what cheese does to dreams…

I might have run out of sleepydrink. Aaargjlh

I just had my sleepy drink. This means I’ve only got twenty minutes left really. That’s enough time, I’m sure, to account for the day. I woke up with a headache and I think my body is just processing things. It kinda took me out though for the whole morning and half the afternoon. But I had theatre to go to, dammit. The Christmas Show. I know it so well. Twelfth Night. I’ll be seeing it again in January. This one was with AFTLS with whom I’ve toured America a couple of times. And the last time was with that show. I sat with most of the cast from our one, and we all thoroughly enjoyed it. I love it when it is stripped back like that, when it really becomes about the humans and the text. A lovely old guy sat next to me and used the word “concept” about our Othello and I almost exploded, but yeah I guess we did some non literal things, but everything was in service to the text. Useful, forever useful, to realise we are making something that is subjectively experienced. Much as Othello was to my taste it is true that he says he dies upon a kiss. “Why didn’t they snog at the end, I wanted to see him snog a corpse” is a valid response. “How dare they switch the lights off for the strangling I want to see it,” we can tell that person that he says “Put out the light”. “to die upon a kiss” is textual, and he only stopped doing it late in previews, and I never thought anyone would object and call it “concept” that he doesn’t snog dead Desdemona. “It’s in the text,” he says, telling me objected to “the concept”. And I think this is just a generational thing. I’m annoyed about it only in retrospect cos I still can’t balance the show I was involved with the things some people wrote about it. I think I have to more completely learn that critics are largely leftbrainers and as such their scribblings have to be as compassionately allowed as their social skills.

I loved Twelfth Night. Lovely to see completely different humans dealing with similar problems in a new way. Lovely to see the points of similarity too – I was sitting next to Kaffe and some of the convergence was massive. But the whole thing came out completely new, as you’d expect with such good actors. The company is always strong on these. It’s so important you get along. It is intense, a different state every week, and it is hard work, teaching so many workshops on so many unusual subjects : “Speaking truth to power,” was one subject I had to teach one time at Wellesley College, using Twelfth Night. I remember that workshop though. Getting people into their bodies and voices and breath, reminding them that communication is much more than just words – it’s a genuinely joyful thing to have the chance to share with young people.

I can feel the curtains closing in. Drinking sleepiness before blog removes censor.

I’m gonna have to go bye-bye. Early start tomorrow fuck it.

The first day of advent. I got out to go see Frank. He was scratching a Cabaret at The Museum of Comedy and I’ve never seen him perform before. I keep missing him, and didn’t want to make a habit of it. As part of his costume he was wearing a gorgeous velvet tail coat that came through my possession and didn’t fit me but perfectly fitted him. It was fabulous. He was riffing, largely through translated Jacques Brel songs but applying them to his own life. He ended up getting me up on stage to be a cow for him. It’s always weird as a performer being the stooge – you are almost honour bound to do it badly but you want to do it well. I let him lead.

I’m glad to have finally seen him work – I knew damn well he was full of charisma and being his stooge momentarily magnified my initial instinct that there might be a collaboration with him down the line. There’s always been a straight line between us in thought despite very different life experiences to this point.

Also a reminder that there’s a whole world of work out there if we make it. Funding is always the fucker there, and it is the admin hole that largely discourages me, but if you build it they will come, and in the end it’s just a few forms and a huge amount of luck.

It started at 5 and was over by six. Alexei Sayle was on next but I went home – didn’t have tickets and it was enough effort to get myself out in the first place.

Home is warm and full of cat. I’ve started a new advent calendar. Stage one towards Christmassing the flat. I’ve also recruited Frank to come the night before and stay on the sofa. Morgan used to do that, it is lovely and means one more hand and much more fun in the morning. I haven’t been recruiting hard this year but it’s good to wait until December. There’s a lot of tidying between now and then. But the machine is clicking into gear now it is December and the millennials are playing Whamageddon.

Forest bike into town and back out again, but my loyalty to you underdog has been damaged by them insisting I park it in an official parking spot. Somehow Lime have avoided that in Chelsea so far, and I tried to stop outside my flat next to a Lime bike but had to move on to a much longer walk back home. Loyalty is built by ease, and it looks like I’m gonna try the big boys for my zipping into town to see cabaret type needs.

Home now and it’s not too late. I’ve gone and got myself into Ted Lasso. Did some filming with one of the guys in it earlier this year and lots of people wanted to talk about it. It certainly makes an impression. I didn’t know it was about football but it has been perfect for my ADHD double lining. It’s playing now and I’m following it while writing. Already on episode seven. British made stuff, made nicely, well acted, well written. Over in Brighton I’m very aware that Lou is watching Bright Young Things. She wanted to watch it with me but it was a long-ago version of me and I find it hard to look back across the mess of mum’s death into the absolute ironclad optimism of that lad. I’m still optimistic. Got a bit more realism now. Still just as much of an eejit. I was in my twenties… Nice it’s on record I guess.