“How on earth do you learn all those lines,” is one of two questions you always get when you say you’re an actor. That and “Should I know you?” to which the answer is always “yes” because that’s how the word “should” works.
I’m honestly not sure at the moment about the first one though. Out of context, learning all these lines is proving sticky at best. The writing is somewhat on the nose, but as a result I kinda suspect that they aren’t precious about exactly how it has been phrased, just as it doesn’t appear as if they have put much thought to that aspect of it. Functional monologue follows functional monologue and everyone speaks their subtext. My job is to eat all of that, put aside any issues of taste (I took the job, I do the job) and learn the thing so I can give it everything I have. This I will do. I have three characters with no particular distinction in their voices on paper.
Got another day before we start rehearsals and I’m sure we will find ways to differentiate without going into the hell of panto. With all The Factory madness, with the white noise success/failure of The Odyssey which will forever be my finest and my most terrible work, I’m pretty chilled about things now. It’s never stressful anymore this job I cornered my life into doing. Even if consistency has been variable over the decades I’ve been working this acting mine, I’ve had enough time at the actface to trust my pick hand.
I’ll meet a whole load of people on Saturday who will almost certainly be younger than I am and possibly expecting me to be some terrible old stick in the mud. I’ll have to switch off my enthusiastic gobshite muscles and be humble and listen and give space, and to do that I don’t want to have them start worrying that I won’t be off book in time. Shaky line learning can waste so much time in late rehearsal. I like to learn organically with theatre, but having been filming more often these days I kinda dig the whole game of showing up ready to go out the box. My plan is to come half ready. Get the beats in roughly, square them off live. No time for rehearsal really. Fuck it. I’m in. They’re paying me. Not what I’d get if I had gone to the bar like pappy wanted. But enough that I can likely avoid bailiffs if I max my credit card.
It’s evening now and I’m off work. I’m obsessively watching Clarkson’s Farm while playing FF12 on my Steam Deck. Clarkson is a really interesting view on the farming industry in this country. It’s worth getting over any distaste you have for the man – he’s doing something interesting here. With an annoying amount of money and privilege. But still it is fascinating. Final Fantasy 12 is just noise, which is why I can do them both at the same time. Japanese rpg, atrocious voice acting – some of the worst I’ve ever heard in a computer game and I watched the intro to Alien Breed, Tower Assault on my Amiga in the nineties. But the gameplay is smart and they have a DIY AI battle system that with enough tweaking can be very satisfying as it runs itself and deals with all eventualities if you’ve thought of them.
I should go to bed soon though. Just one more episode. And I need to get enough gilm to buy better magic.

